NatGeo is NextDoor

Every time I step out in the morning on a nature walk in my neighbourhood of Dolphin Hill with my camera there is a sense of heightened anticipation.  I have butterflies in my heart, fluttering in excitement.  What will the day put on display today, will I stumble upon a new species? I have to still my mind and tell myself: “do not look for something; just see, observe, be”. But the mind races ahead when I see the roadside lantana brimming with swallowtails and skippers. Though the patch seems abundantly endowed, yeh dil maange more… Greedily, I seek to see what lies just ahead, at the turn. Like the proverbial green grass on the other side, I feel something more exciting is lurking round the corner. Often it does; then again, nothing that this patch would not reveal, if only I stayed on!

 “The butterfly counts not months, but moments and has time enough.”

- Rabindranath Tagore

'HEART, DO NOT FLUTTER'

'The birds, butterflies and bees are going nowhere; they are here and now,' I try telling myself. Though the butterflies are constantly on the wing, they are in no hurry to get anywhere.  Hurry is the antithesis of their existence. Mindfulness is their nature. If I were to take a leaf from their book, I would learn to stay centered and focused.

And when I calm down thus, Nature reveals its secrets as a reward.

Like it happened when instead of one individual of a species I saw a pair of Pierrots pirouetting through the bushes. Or the time when I was witness to a social ritual of mud-paddling of Common Crows (a butterfly species).  One day, I stumble upon a Pale Palm Dart, stark orange against tender greens; on another, it may be an Awlet, its eyes popping out, literally.

A movement in the grass beneath the feet could be a Garden Gecko, a baby, with its eyes still lidded over. A ghost-white Chameleon could be an albino or just a juvenile; I am yet to learn the finer nuances of identification. When I am snooping around the bushes chasing dragonflies, a Grey Francolin may step into the periphery of vision, tantalizingly.  On my way home at the end of a nature–trek, a small mongoose (Asian) may just stray out of its comfort zone catching us both unawares.

There are days when ‘new’ species elude me; instead I am rewarded with a great spot of sunlight that imbues the regular daily scenes with a different hue. I get to see weeds and grasses in all their glory. I discover then that weeds are indeed photogenic and make great portraits or fine art prints. There is something to be said about poking one’s head into bushes, smelling the greens, and watching little life flit about.

OMG MOMENTS

Sometimes, Nature listens to your heart. Like the day when I was praying silently for a vision of a snake. A couple of days before, I had seen a green keelback slink into a clearing of woods on my favourite trail. So here I was, heading to the same spot making a wish. There was no sign of any snake on the ground and just as I was about to leave I saw a golden ‘hawser’ coiled on a stump of tree, a metre above the ground. A ten-foot long rat snake lay there basking in the early morning sun, a picture of nonchalance.

Sometimes, Nature makes your heart listen. Like this day when I was working on a wildflower that was the muse of the moment, with a macro lens. I heard a rustle in the bush behind.  I thought it must be the pesky squirrels going about their game of tag, but something made me look nevertheless. A skink was jumping about excitedly, and only as an after-sight I saw a green triangular jaw strangling the poor dear in a vice-like grip. A green vine snake had it for a meal. It was a “Kodak moment”, indeed, as a friend put it later, only when your macro prime-lens is primed for a wildflower in manual focus at short distance, you need to get your wits about to take in action, further away.

CAMOUFLAGE ARTISTS

On a nature trail or on a wildlife chase, not only does one have to keep one’s senses alert for a movement or flight, rustle or whistle, but also keep one’s eyes peeled for hidden treasures. Stick insects, mantids, grasshoppers (I grew up thinking that grasshoppers were green until I learnt as an adult that they can be brown, grey or even multi-coloured) can suddenly cleave off self-same-shade vegetation. Foliage—fresh or dry—may just come alive suddenly developing eyes, betraying head, legs, wings and a camouflage artist may come into existence.

Like the bug that I saw and nearly missed. At first sight, it looked like a cottony, clump of fabric and I wouldn't have given it a second glance if I didn't think it moved. I wondered if it was an insect. As I tried to pry, the clump rolled down, and it seemed like the wind did the trick. It lay there motionless, lifeless, for a while and I chided myself for my over-imagination, until days later I found the critter in cyberspace as masked hunter bug! In retrospect, I recall it rolled over and acted dead as I investigated! Under my very nose it had me in doubt. Go to Pinterest to see these con-artists and you’ll be floored.

Wildlife is replete with con artists and mimics. You’ll think it is some kind of chimera, a joke. That someone is pulling a fast one on you. It is almost as though life-forms are formed that minute in front of your eyes in an ultimate illusion.  To think that there was a time when I thought I would never be interested in insects because they are yucky!

Nature is an endless treasure hunt.

The excitement of discovering species (rajah, silverline, monkey-puzzle butterflies) for the first time or seeing a 'lifer' (such as a pale-capped pigeon or rock-thrush) not endemic to one's neighbourhood can only be shared and understood by fellow birders and wildlife enthusiasts.  A quote by Ornithologist, Noah Strycker, who recently stumbled upon a new species of Himalayan Forest Thrush, would be apt here. 

 “I once worried that I’d get burned out on birds this year, but the opposite has happened—it’s easy to imagine what it would be like to just keep going forever… If birding is an addiction, then feeding it definitely doesn't kick the habit.” 

Pale Palm Dart

Common Pierrot

Common Crow mud-paddling

Grey francolin

Asian Small Mongoose

Rat snake

Green vine snake and skink

Silverline 

Common Baron 

ALL PHOTOGRAPHS IN THIS BLOG AND WEBSITE ARE THE AUTHOR'S ORIGINAL WORK/COPYRIGHT.

WAITING IN THE WINGS

MICRO LIFE WITH MACRO LENS

When one shutter closes, another one opens.

Like any birder, I started birdwatching by procuring a decent pair of binoculars and a bird guide. This was two decades ago, in India. Then came a time, during my Kenya sojourn, when I would reach for my camera sooner than the binoculars; my birding trips were rarely complete without my Canon PowerShot SX100.

The PowerShot was my first camera and, like a faithful friend, I  tagged it along everywhere. With an effective focal length of 360mm, it served me well for wildlife photography to seal in memories of once-in-a-lifetime (figuratively speaking) safaris. Of course, it fell woefully short in the face of the “bazookas” tourists of all hues flaunted there. Thankfully, I was not shooting wild African lions and elephants with a cell-phone camera like a visiting friend once did!

That is when there was a paradigm shift.

Passionate birders believe that binoculars are all you need for birdwatching. They maintain that a camera is a redundancy, a distraction at best. They believe that in the pursuit of obtaining the perfect picture, birder-photographers sacrifice acute observation and pure pleasure. The keen birder in me sees the point, but the bird-photographer in me has her own infallible logic.

Nobody can deny the immense contribution of photography in recording and documenting vital and subtle information. In many instances, logging of bird-sightings thus has aided in accurate identification of species that has confounded even a seasoned birder. Having said that, bird photography, like any other form of photography is, primarily, a "fine art" and not just means of documentation.

There is a breed of bird-photographers, as distinct from purist birders, that has to compulsively and obsessively entrap birds in its lens-eyes. This breed suffers from an irresistible itch to immortalize the subjects and aims to give it its best shot.  

For a while, I managed with the PowerShot, but soon it lost its appeal and application and I knew it was time to move on to a DSLR. As a greenhorn in creative photography, I settled for a crop sensor camera more out of consideration of budget than desire. I landed an incredible deal in a Canon EOS 700D with a kit lens combination—of standard lens and a macro telephoto. The entire kit cost less than the price of a good camera-body alone; what's more, a macro lens costing nearly Rs. 10,000 was virtually thrown in!  But as is wont with "interchangeable-lens cameras", without an appropriate lens I am still nowhere equipped for birding photography. Reaching for a camera-body was easier; it was the lay of the lens that had me in a fix.

Birding lenses which are super telephotos are the most expensive accessory of all photography gear. Of course, there are relatively cheaper versions, but they are not a patch on the “original” ones. I surveyed, researched, and discussed with friends and photo-enthusiasts the merits and demerits of birding lenses. I deliberated on the possibility of third-party lenses with relatively smaller reach to fit my pocket size, but nixed it presently.

In my book of photography, image quality is sacrosanct. For bird photography, smaller reach is akin to getting to the doorstep of the bird-world but no further. What I have my sights on is the latest version of the enduring Canon “100 – 400 mm” zoom, a technology marvel. But there is a blip between the eye and the lens. For a hobbyist, it is an extravagance ill-afforded, and I don't see me indulging myself; not yet. Of course, if I had my way I would go in for the best prime lens! There is no end to greed and need in photography, an expensive hobby if there was one.

As I bide my time for the perfect birding lens, I am out experimenting with the macro telephoto. My birding trips are now enhanced to being wholesome nature trips. In the process, I have stumbled upon butterflies and bees, dragonflies and damselflies, and chameleons and crickets.  Butterflies are always creating a flutter in Dolphin Hill where I reside, but now I am able to “see” them better with the "55 – 250 mm" appendage. The fresh “eyesight” has brought me closer to these insects-on-wings for I am discovering their habits and habitat, now. As I hover over butterflies trying to focus, I naturally latch onto dragonflies—dainty creatures with gossamer wings—in scarlet and sunset yellows.

With my macro lens, I am unravelling micro life.

After ornithology, I am drawn into entomology.

Birding and photography make for a captivating combination. Among nature- and photo-enthusiasts, birds and birding photography are perched high in wildlife hierarchy. It was my passion for birding that led to photography and that in turn has sparked interest in insects, anew. Delegated to low life, the insects were waiting in the wings for their moment in the sun. In my eyes and lens, they are now elevated. For their part though, they were always content in the knowledge—or perhaps oblivious—of the invaluable part they play in the web of life. 

ALL PHOTOGRAPHS IN THIS BLOG AND WEBSITE ARE THE AUTHOR'S ORIGINAL WORK/COPYRIGHT.

CREATING A FLUTTER

It seemed like the other day when Hudhud created a flutter. The fury of the cyclone laid waste veteran trees in its wake and took its toll on birds; the butterflies simply stood no chance. Birds made a modest comeback even before the natural ecology of Dolphin Hill limped back to life-as-usual. Summer has been unbearably harsh, but Nature’s resilience is such that scrubland and woods have rejuvenated on their own steam. Few showers of Vizag’s monsoon have helped the ‘weed’ understory flourish. Now nine months on, something else is creating a flutter. The hillside is trembling excitedly to the rhythm of butterflies once again. They have been tardy in returning, but they are back for sure.

The much-derided lantana camara – the ‘untouchable’ among plant kingdom, has come to the rescue. Sitting on the patio, I had been witness to few swallowtails, which were once the pride of this place, flitting over verge and low trees. Common Rose and Crimson Rose, particularly attracted attention as they doubled in size mating mid-air! The general buzz of these bugs was tantalizing, so this Sunday morning I decided to give in. In my part of the woods, where ‘weeds’ have been allowed to grow, I counted nearly 20 species of butterflies in as many minutes on a 50-metre trail by the fence. Armed with my new DSLR and a macro telephoto lens, I set out on a chase.

Most species give you the slip as they flit from flower to wildflower. Some like this tailless swallowtail – the Lime butterfly – that I went after, flap constantly proving elusive. Others like albatross and emigrants are difficult to pin down frolicking as they are, usually, in twos and threes. Tawny coasters and grass yellows were gliding energetically by a carpet of ‘coat button’ daisies (Tridax procumbens or ‘Ravana-heads’ of our childhood) and Crotalaria. I did arrest the slow flight of a tawny coaster and was surprised to see that it had an oily sheen to its wings. Thankfully, the common leopard and lemon pansy posed as they did surya namaskar (they love to sun-bathe with wings wide open) first thing in the morning.

The Calotropis procera or the Sodom’s apple that grows invasive by the roadside is considered an outcast, but it is another great butterfly magnet. Its bouquet of mauve flowers provides food for variety of butterflies from tigers to pansies and the waxy leaves are a great host for caterpillars.

In all that drama, there was also the side-show. There were caterpillars—that would metamorphose into butterflies, feeding on plants. Crickets leapt out of thickets making me jump. Bugs made my skin crawl. Common Indian Chameleons basked in the sun, lazily, watching me with a curious eye, wondering at my whimsy.

This is backyard biodiversity at its best. Such macro-life can thrive only in ‘hospitable’ conditions that may seem ‘inhospitable’ for us. Most of us think that landscaping, trimmed trees, and regimented rows of pruned foliage with big, bright flowers constitute ‘natural beauty’. That unwieldy grass or scrub with dried twigs is sight for sore eyes. How many of us know that the so-called ‘weeds’ are but wildflowers with medicinal and commercial value to mankind? It is this higgledy-piggledy wasteland we so despise that is the actual breeding ground for bugs, bees, butterflies and birds that constitute the web of life. It is not my contention that, therefore, we encourage indiscriminate growth of invasive weeds. Under controlled conditions, natural vegetation can be co-opted into ‘tree plantation’ and ‘greening’ schemes to help restore soil and micro-climate. Even as we create artificial oases, we must strive to preserve wild pockets.

Lemon pansies feeding on Sodom's apple shrub 

Lime Butterfly (Papilio demoleus)

Dark Glassy Tiger

Lemon pansy (Junonia lemonias)

Plain Tiger (Danaus chrysippus)

Great Eggfly (Hypolimnus bolina)

Common Leopard (Phalanta phalanta)

Common Indian Crow 

Tawny Coaster (Acraea violae)

ALL PHOTOGRAPHS IN THIS BLOG AND WEBSITE ARE THE AUTHOR'S ORIGINAL WORK/COPYRIGHT.